There’s a BBC Scotland documentary about Scottish musician Edwyn Collins and his recovery from a massive stroke – it’s fairly standard stuff, and quite well done, I was surprised someone had made another one really. Much as I love Edwyn’s music, and inspiring as his story is, two documentaries about it seem to be a wee bit OTT.
But this is no ordinary documentary. The Possibilities are Endless is a stunning recreation of what it’s like to lose yourself. Directors Edward Lovelace and James Hall have created something really special, moulding a work of art from disjointed conversations and whispered reminiscences. You’re lost in the darkness for much of the film, with no sign of Edwyn other than brief shots of him as a spunky young popster. You’re not sure where he is for a while. Then you stagger out of the darkness with him.
This is wonderfully brave filmmaking, perfectly paced to match the impact the strokes had on Edwyn and his wife Grace Maxwell without being maudlin or overly sympathetic. The soundtrack, put together by Edwyn himself before he’d seen anything of the film, is outstanding.
There’s no self-pity here, it’s a portrait of a strong loving couple dealing with something that most of us can’t imagine, and doing it with dignity and humour. The suggestion that the film is a love story brought howls of laughter from Edwyn after the screening, but that’s exactly what it is. It’s about passion, and how Edwyn’s love for Grace and for his music pulled him back from the brink. And it’s about his passion for home, for the sea and the familiarity of the place he grew up. It’s about how those things can find you, no matter what.
The Possibilities are Endless is surprising, moving and expertly realised – a remarkable film about a remarkable couple, I absolutely loved every minute.
We’re all moving to Helmsdale now, right?